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In 2016 she completed a residency, awarded by Capo d'Arte and the French Academy in Rome, in Galiona del Capo, Italy.Catalogue of the exhibition of ceramic artwork, Durban Art Gallery, 2012.Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2016.Includes the essay, "Barthélémy Toguo's Strange Fruit and Our 'Mimetic Desire' for an Other" by Lwandile Fikeni.Catalogue of the exhibition of paintings, Johans Borman Fine Art, Cape Town, 2012. , a project working with aspiring artists from the Dunoon community, and the Comic Art Unit of the Centre for Comic, Illustrative and Book Arts (CCIBA) at Stellenbosch University.Includes an introduction by Johans Borman and paintings by JH Pierneef, Adolph Jentsch, Peter Clarke, Erik Laubscher, Cobus van Bosch, Walter Battiss, Cecil Skotnes, Simon Stone, Sanell Aggenbach, Clare Menck, Walter Meyer and Joshua Miles. Contributions include: "The Pastor's Gift", with a script by Junior Survivors of Performing Arts and art by Thabo Mondreki and Robbie Millan "Chippa my Auntie" with a scipt written by the Black Ink Arts Movement and art by Susan Opperman, Sabatha Ngesi and Thabo Mondreki "Petrified", a comic strip that came into being during a visual art performance event organised by CCIBA at the old cement factory in Philippi as part of CCIBA's Masterclass and Symposium on the Graphic Novel, coordinated by Andy Mason and Lieve Vanleeuw.2 Includes the essay, "Forbidden Pleasures, exercises in autophagia" by Achille Mbembe. A collection of original African stories, written and illustrated by Capetonians. Barbara Wildenboer was born in 1973 and lives and works in Cape Town. He has a studio in Cape Town and travels frequently to Knysna.

He came to South Africa in 1890 to work in the booming building trade in the Transvaal Republic.

Includes the essays, "Asha Zero Macro Soda Text Hits" by Antoinette du Plessis, "Fragments of Memory: Asha Zero and the Waking Dream" by Gus Silber, and "Sublime Confusion" by Delphi Carstens. Includes the essays: "Virtual Landscapes" and "Asha Zero and the Acts of Cancellation" by Sanford Shaman "Introduction to Micro Cluster Picnic" by Shane de Lange "Asha Zero Macro Soda Text Hits" and "Better Left Unsaid" by Antoinette du Plessis "Fragments of Memory: Asha Zero and the walking dream" by Gus Silber. Ayana Jackson "draws on images sourced from the Duggan Cronin collection created in South Africa, the works of unknown photographers practicing throughout the global south at the time, as well as documentation of reconstructed villages and 'native' performers that were touring in Europe's Human Zoos... Capecodes is a project focused on skills training in live modern audio drama. Contributions include: "Abasebenzi (workers)", based on a play written by Black Ink of Dunoon, with illustrations by Khanyiso Mabodla and Loyiso Pitolo assisted by Thabo Xinindlu "Umkhonto ugwaze ekhaya (Bad deeds come back to bite you)", based on a play written by Survivors of the Performing Arts, with illustrations by Anele Ncokazi and Sgqibo Mdleleni assisted by Khayalethu Ndolela. Catalogue of the exhibition of paper based works, collage, paper sculptures and altered books, Erdmann Contemporary, Cape Town, 2012.

The artist's process involves identifying recurring motifs in the original images, interrogating them, performing them and reconstructing them." from pg. Jackson was born in 1977 in Livingston, New Jersey. Includes "Notes from the Coalface", Barbara Wildenboer interviewed by Carsten Rasch.

The thirty-two artists who participated were tasked with creating, in a single day, an 8-page comic based on the work of Petrus Nooi, a sculptor who works in concrete and sells his pieces from his yard next to the road that connects Stellenbosch with the informal settlement of Khayelitsha.

Catalogue of the exhibition, Haus der Kulturen der Welt, Berlin, Germany, and Johannesburg Art Gallery, South Africa, 2012.

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His first important commission as architectural sculptor was to create the old Republican coat of arms for the pediment over the entrance to the Old Council Hall (Raadsaal) on Church Square in Pretoria.